Understand relative minor, modulation, and how dominant 7ths reveal function and key center
Define modes from the major scale; build modes in series/parallel and alter intervals (Dorian, Lydian etc.)
Solo with modes over chords: diatonic mapping (e.g., 1-6-2-5), modal vamps, non-diatonic cases
Use major/minor pentatonics, blues scale, mode-pentatonics, and pentatonic superimposition
Solo with arpeggios and target chord tones (strong landing tones) over common 7th chords
Build and apply melodic/harmonic minor, diminished, whole-tone scales and their common harmonizations
About the free online course
If you can play shapes but still feel unsure about what the notes mean, this free online course helps you turn guitar technique into real musical understanding. Instead of memorizing disconnected patterns, you’ll learn the logic that links intervals, the musical alphabet, and octave and unison relationships across the fretboard so you can locate sounds on purpose and hear what you’re playing before your fingers move.
From there, the course builds the major scale as a practical map for classical guitar and beyond. You’ll see how keys are constructed, how sharps and scale degrees function, and how scale patterns differ from positions so your navigation stays consistent anywhere on the neck. That foundation makes harmony feel less like a mystery and more like a toolkit: you’ll connect major, minor, diminished, and augmented triads, explore inversions, and understand how chord quality changes when the shapes move across string sets, including the unique adjustment around the B string.
As you progress, you’ll develop a strong grasp of diatonic harmony and chord progressions, learning to recognize the role of I, IV and V, identify the key of a song, and choose voicings that create smooth voice leading. You’ll expand into seventh chords, drop voicings and shell voicings, building richer textures while keeping the guitar playable and clear. The course also strengthens your modern harmony vocabulary with suspended chords, power chords, slash chords, borrowed chords, secondary dominants, blues movement, and modulation, so you can analyze music and create progressions that sound intentional.
Modes, pentatonics, arpeggios, and additional scale families are integrated as musical solutions, not isolated theory. You’ll understand how modes relate to the major scale, how to apply them over different chord types, and how to target strong chord tones while soloing. By the end, you should be able to interpret chord symbols, craft progressions, and improvise with a clearer ear and a more informed fretboard—skills that translate directly into better practice, better arranging, and more confident performance.
Course content
Video class: Music Theory for Guitar - Intervals08m
Exercise: On guitar, what is the distance of an octave from a starting note?
Video class: Music Theory for Guitar – String Intervals08m
Video class: Music Theory for Guitar – Interval Shapes09m
Exercise: When moving an interval shape across string sets, what adjustment is needed when the shape involves the 2nd (B) string?
Video class: Music Theory for Guitar – Octaves10m
Video class: Music Theory for Guitar – Unison Notes09m
Exercise: On guitar, what best describes a unison note compared to an octave?
Video class: Music Theory for Guitar – Musical Alphabet06m
Video class: Music Theory for Guitar – The Major Scale09m
Exercise: What is the interval formula (steps) used to build any major scale?
Video class: Music Theory for Guitar – Major Scale Intervals05m
Video class: Music Theory for Guitar – Major Scale Patterns08m
Exercise: Why are there seven major scale patterns in this approach?
Video class: Music Theory for Guitar - Major Scale - Upper Intervals10m
Video class: Music Theory for Guitar - Major Scale – Patterns vs Positions07m
Exercise: What is the key difference between a scale pattern and a scale position on guitar?
Video class: Music Theory for Guitar - Major Scale – Fretboard Insight12m
Video class: Music Theory for Guitar - Major Scale Keys08m
Exercise: In the major scale, what determines the key you are playing in?
Video class: Music Theory for Guitar - Major Scale Keys - Construction, Keys, Sharps10m
Video class: Music Theory for Guitar - Major Scale Keys - How to Find Sharps13m
Exercise: When building the sequence of sharp keys starting from C major, what interval is used to find the next key, and where is the new sharp added in the scale?
Video class: Music Theory for Guitar - Major Triads08m
Video class: Music Theory for Guitar - Minor Triads05m
Exercise: Which set of intervals correctly builds a minor triad?
Video class: Music Theory for Guitar - Diminished Triads05m
Video class: Music Theory for Guitar - Augmented Triads06m
Exercise: How do you build an augmented triad compared to a major triad?
Video class: Music Theory for Guitar - Triads - Major, Minor, Diminished, Augmented07m
Video class: Music Theory for Guitar - Triads Shapes on All String Sets04m
Exercise: When moving a triad shape to a string set that includes the 2nd string, what adjustment is needed?
Video class: Music Theory for Guitar - Triad Inversions09m
Video class: Music Theory for Guitar - Triads Inversions Vertical08m
Exercise: In the vertical triad-connection method, what is the main action used to move from one triad shape to the next?
Video class: Music Theory for Guitar - Augmented Triads Inversions06m
Video class: Music Theory for Guitar - Diatonic Major Scale Triads13m
Exercise: When building diatonic triads from a major scale, which scale degree produces a diminished triad?
Video class: Music Theory for Guitar - Harmonized Major Scale19m
Video class: Music Theory for Guitar - Major Scale Chord Progressions10m
Exercise: In the key of C major, what chords make up a I–IV–V progression?
Video class: Music Theory for Guitar - How to Find the Key of a Chord Progression (song)12m
Video class: Music Theory for Guitar - Open Triads08m
Exercise: What is the key feature that defines an open triad on guitar compared to a close-position triad?
Video class: Music Theory for Guitar - Harmonized Major Scale (Triads)11m
Video class: Music Theory for Guitar - Harmonized Major Scale (Intervals)12m
Exercise: When harmonizing a major scale using perfect fifth intervals, on which scale degree does the interval change to a diminished fifth?
Video class: Music Theory for Guitar - 7th Chords09m
Video class: Music Theory for Guitar - 7th Chords Construction07m
Exercise: Which formula correctly constructs a dominant seventh chord from a major triad?
Video class: Music Theory for Guitar - Close Position 7th Chords10m
Video class: Music Theory for Guitar - Drop 2 Chords10m
Exercise: Why are they called drop two chords?
Video class: Music Theory for Guitar - Drop 3 Chords08m
Video class: Music Theory for Guitar - Diminished 7th Chord Inversions06m
Exercise: When inverting a diminished 7th chord up the fretboard, by what interval does each chord tone move to reach the next inversion (keeping the same shape)?
Video class: Music Theory for Guitar – Major 7th to Diminished 7th08m
Video class: Music Theory for Guitar - Diatonic Major Scale 7th Chords09m
Exercise: Which seventh chord quality is built from the 5th degree of a major scale when stacking thirds diatonically?
Video class: Music Theory for Guitar - Harmonized Major Scale with 7th Chords14m
Video class: Music Theory for Guitar - Harmonized Major Scale with Drop Chords10m
Exercise: When harmonizing a major scale with seventh chords (using drop 2 or drop 3 voicings), what chord quality is built on the 5th scale degree?
Video class: Music Theory For Guitar - Chord Progressions 7th Chords10m
Video class: Music Theory for Guitar - Find Key of Song (with 7th Chords)15m
Exercise: In a diatonic major-scale chord progression, what does the presence of a dominant 7th chord tell you about its function and how to find the key?
Video class: Music Theory for Guitar - Relative minor Scale13m
Video class: Music Theory for Guitar - Shell Voicings07m
Exercise: In a shell voicing for seventh chords, which tones are included (and which common chord tone is omitted)?
Video class: Music Theory for Guitar - Harmonized Major Scale with Shell Voicings05m
Video class: Music Theory for Guitar - Drop 206m
Exercise: How do you build a drop 2 and 4 chord from a close-position 7th chord?
Video class: Music Theory for Guitar - Major Scale I Chords09m
Video class: Music Theory for Guitar - Major Scale I Chords Fingerings14m
Exercise: When does a major triad with an added 9 become a true Major 9 chord?
Video class: Music Theory for Guitar - Major Scale ii Chords05m
Video class: Music Theory for Guitar - Major Scale ii Chords Fingerings08m
Video class: Music Theory for Guitar - Major Scale iii Chords06m
Video class: Music Theory for Guitar - Major Scale IV Chords05m
Exercise: When building chords from the 4th note of the major scale, what is the main note difference compared with building from the 1st note?
Video class: Music Theory for Guitar - Major Scale V Chords07m
Video class: Music Theory for Guitar - Major Scale V Chords Fingerings08m
Exercise: How can you turn a C major barre chord into a dominant 7 chord (C7) in this lesson’s approach?
Video class: Music Theory for Guitar - Major Scale vi Chords04m
Video class: Music Theory for Guitar - Major Scale vii Chords06m
Exercise: What is the interval formula for a minor 11 flat 5 chord built from the 7th note of the major scale?
Video class: Music Theory for Guitar - Suspended Chords (sus, sus2, sus4)10m
Video class: Music Theory for Guitar - Power Chords06m
Exercise: Which notes (intervals) make up a basic power chord (5 chord)?
Video class: Music Theory for Guitar - More on Major Scale Chords10m
Video class: Music Theory for Guitar - Chord Progressions (More Chord Options)11m
Exercise: What is the main reason to use good voice leading when combining different chord types in a progression?
Video class: Music Theory for Guitar - Slash Chords10m
Video class: Music Theory for Guitar - Chord Progressions with Borrowed Chords11m
Exercise: In the key of C major, which chord is an example of a borrowed chord from the parallel minor (C minor) in the progression C–F–A♭–G?
Video class: Music Theory for Guitar - Chord Progressions with Secondary Dominants12m
Video class: Music Theory for Guitar - Basic Blues Chord Progressions07m
Video class: Music Theory for Guitar - Chord Families09m
Video class: Music Theory for Guitar - More Non Diatonic Chord Progressions10m
Exercise: In the key of C major, which chord is normally the iii chord, and what non-diatonic change is suggested to create a unique sound?
Video class: Music Theory for Guitar - Key Modulation12m
Video class: Music Theory for Guitar - Major Scale Modes14m
Exercise: What is the basic definition of a mode in relation to the major scale?
Video class: Music Theory for Guitar - Major Scale Modes in Series10m
Video class: Music Theory for Guitar - Major Scale Modes in Parallel14m
Exercise: When building modes in parallel (e.g., all on G), what stays the same across the modes?
Video class: Music Theory for Guitar - Major Scale Modes (Ionian)11m
Video class: Music Theory for Guitar - Major Scale Modes (Dorian)12m
Exercise: How do you turn the Ionian (major) mode into the Dorian mode?
Video class: Music Theory for Guitar - Major Scale Modes (Phrygian)10m
Video class: Music Theory for Guitar - Major Scale Modes (Lydian)08m
Exercise: What is the only interval difference between the Lydian mode and the Ionian (major) scale?
Video class: Music Theory for Guitar - Major Scale Modes (Mixolydian)08m
Video class: Music Theory for Guitar - Major Scale Modes (Aeolian)08m
Exercise: How do you change the G Dorian mode into the G Aeolian mode?
Video class: Music Theory for Guitar - Major Scale Modes (Locrian)10m
Video class: Music Theory for Guitar - Major Modes08m
Exercise: Which change from Ionian (major scale) creates the Lydian mode?
Video class: Music Theory for Guitar - Minor Modes10m
Video class: Music Theory for Guitar - Mode Scale Patterns11m
Exercise: How do you get from the Ionian mode to the Dorian mode?
Video class: Music Theory for Guitar - Solo with Modes Over Major Chords13m
Video class: Music Theory for Guitar - Solo with Modes Over Minor Chords07m
Exercise: When soloing over a static minor triad (a one-chord vamp), which modes of the major scale can you use?
Video class: Music Theory for Guitar - Solo with Modes Over m7b5 Chords04m
Video class: Music Theory for Guitar - Solo with Modes Diatonic Chord Progressions09m
Exercise: In a diatonic 1-6-2-5 progression in the key of C major (C–Am–Dm–G), which mode matches each chord when soloing while staying in the key?
Video class: Music Theory for Guitar - Solo with Modes Non-Diatonic Progressions07m
Video class: Music Theory for Guitar - Modal Chord Progressions10m
Exercise: What defines a modal chord progression in a major-scale key?
Video class: Music Theory for Guitar - Minor Pentatonic Scale04m
Video class: Music Theory for Guitar - Major Pentatonic Scale04m
Exercise: Which set of intervals defines the major pentatonic scale?
Video class: Music Theory for Guitar - Major vs Minor Pentatonic Scale07m
Video class: Music Theory for Guitar - Major10m
Exercise: Why can’t a major or minor pentatonic scale be built from the Locrian mode?
Video class: Music Theory for Guitar - Advanced Soloing Minor Pentatonic Scales10m
Video class: Music Theory for Guitar - Advanced Soloing Major Pentatonic Scales09m
Exercise: Which major pentatonic scale creates a Mixolydian sound when superimposed over a C major chord?
Video class: Music Theory for Guitar - Soloing with Minor Pentatonic over m7b506m
Video class: Music Theory for Guitar - Mode Pentatonic Scales09m
Exercise: How do you build a Dorian pentatonic scale from the major pentatonic scale?
Video class: Music Theory for Guitar - Arpeggios10m
Video class: Music Theory for Guitar - How to Solo with Arpeggios08m
Exercise: When soloing over a Cmaj7 chord using C Ionian, which notes are described as the strongest landing tones?
Video class: Music Theory for Guitar - The Blues Scales05m
Video class: Music Theory for Guitar - Melodic Minor Scale07m
Exercise: How do you form the melodic minor scale from the major scale?
Video class: Music Theory for Guitar - Melodic Minor Chords14m
Video class: Music Theory for Guitar - Harmonic Minor Scale05m
Exercise: How do you convert the natural minor (Aeolian) scale into the harmonic minor scale?
Video class: Music Theory for Guitar - Harmonic Minor Chords09m
Video class: Music Theory for Guitar - Minor Scales Comparison12m
Exercise: What change turns the natural minor scale into the harmonic minor scale?
Video class: Music Theory for Guitar - Whole Half Diminished Scale08m
Video class: Music Theory for Guitar - Harmonized Whole Half Diminished Scale04m
Exercise: When harmonizing the whole-half diminished scale, which chord type is described as the most important and most commonly used for its main function?
Video class: Music Theory for Guitar - Half Whole Diminished Scale05m
Video class: Music Theory for Guitar - Harmonized Half Whole Diminished Scale05m
Exercise: What is the most common way to harmonize the half-whole diminished scale for practical use?
Video class: Music Theory for Guitar - Diminished Scales07m
Video class: Music Theory for Guitar - Diminished 7th Chords (Dim7)06m
Exercise: Why can any note in a diminished 7th chord be treated as the root?
Video class: Music Theory for Guitar - Whole Tone Scale09m
Video class: Music Theory for Guitar - Harmonized Whole Tone Scale05m
Exercise: When harmonizing the whole tone scale, which chord type is described as the most common to move up the fretboard in whole steps?
Video class: Music Theory for Guitar - Augmented Chords05m
Video class: Music Theory for Guitar - Advanced Pentatonic Scales08m
Exercise: How is the melodic minor pentatonic scale created from the melodic minor scale in this lesson?
Video class: Music Theory for Guitar - Upper Interval Shapes07m
Video class: Music Theory for Guitar - Stacked Intervals Chords08m
Exercise: How is a major triad constructed using stacked intervals?
Video class: Music Theory for Guitar - Chord Synonyms06m