Free Course Image Science Fiction and Fantasy Writing Masterclass (Plot, Worldbuilding, Characters and Publishing)

Free online courseScience Fiction and Fantasy Writing Masterclass (Plot, Worldbuilding, Characters and Publishing)

Duration of the online course: 14 hours and 47 minutes

New

Build unforgettable sci‑fi & fantasy stories—plot, worldbuilding, characters, and publishing—in this free online course with exercises and a certificate option.

In this free course, learn about

  • Sanderson’s teaching philosophy: practical tools to help you write and revise effectively
  • Core focus of the course: craft of writing SFF stories, not just theory or inspiration
  • Plot fundamentals: story structure parts and the “glue” that connects them (promises, progress, payoffs)
  • Outlining skills: what editors typically expect in an outline + sample chapters package
  • Viewpoint control: choosing POV, handling limitations, and using POV to shape reader experience
  • Strong openings: deciding intro length by what best serves the story and hooks reader interest
  • Worldbuilding basics and Sanderson’s First Law: satisfaction comes from clear, understood magic limits
  • Key SFF skill: creating compelling sense of wonder while maintaining coherent world logic
  • MICE Quotient for short stories: identifying story boundaries (e.g., milieu begins/ends with entering/leaving)
  • Worldbuilding logic tradeoffs: when internal vs external logic conflict, what usually takes priority
  • Character engagement tools: methods to make readers care (like competence, sympathy, and proactivity)
  • Core story “writing modes”: the four elements that make up stories (e.g., description, action, dialogue, introspection)
  • Building sympathy: handling tragic backstory without melodrama—show it through present choices and behavior
  • Publishing paths: traditional vs indie, including benefits of agents and advantages of indie control/speed

Course Description

Turn bold ideas into finished science fiction and fantasy stories you are proud to share. This free online course guides you through the full creative pipeline, from shaping a compelling premise to building a story that feels cinematic on the page. Designed for hobbyists and aspiring creators who love storytelling in film, theater, and beyond, it helps you develop a process you can repeat whenever inspiration strikes.

You will learn how to think like a writer when it comes to plot: making promises to readers, delivering payoffs, and building momentum that keeps pages turning. Along the way, you will practice making decisions about structure, openings, and viewpoint so your introduction earns attention and your scenes stay focused on what matters most. The goal is not rigid formulas, but a clear understanding of why stories work and how to fix them when they do not.

Worldbuilding is approached as more than lore. You will explore how to create settings, cultures, technology, and magic that feel coherent, purposeful, and emotionally engaging. Special attention is paid to internal consistency and to the way rules, limits, and consequences increase reader satisfaction, especially when extraordinary powers are used to solve problems. You will also learn a genre-focused mindset for designing worlds that generate conflict rather than just background detail.

Memorable characters are at the center of every great speculative story, so you will develop tools to earn reader investment through competence, likability, and understandable motivation. You will also learn how to handle backstory, tragedy, and sympathy with restraint, keeping characterization active in the present rather than trapped in exposition. Exercises and questions help you test your choices and sharpen what readers actually feel.

Finally, the course demystifies publishing by explaining the tradeoffs between traditional and indie paths, including how representation can help and why independent release can offer important advantages. By the end, you will have stronger craft fundamentals, a clearer creative workflow, and the confidence to move from idea to draft to publication-ready next steps.

Course content

  • Video class: My Philosophy on Teaching Writing—Brandon Sanderson 02m
  • Exercise: What is the primary goal of the instructor’s teaching philosophy in this writing class?
  • Video class: Lecture #1: Introduction — Brandon Sanderson on Writing Science Fiction and Fantasy 1h03m
  • Exercise: What does the course primarily focus on teaching?
  • Video class: Lecture #2: Plot Part 1 — Brandon Sanderson on Writing Science Fiction and Fantasy 1h07m
  • Exercise: Which set best describes the three parts of story structure discussed, and what glues them together?
  • Video class: Lecture #3: Plot Part 2 — Brandon Sanderson on Writing Science Fiction and Fantasy 1h09m
  • Exercise: When building an outline, what does an outline usually mean to an editor who asks for one along with sample chapters?
  • Video class: Lecture #4: Viewpoint and Q 1h02m
  • Exercise: When deciding how long an introduction should be in a novel, what is the most important guiding principle?
  • Video class: Lecture #5: Worldbuilding Part One — Brandon Sanderson on Writing Science Fiction and Fantasy 1h12m
  • Exercise: According to Sanderson's First Law, what most increases the reader's satisfaction when magic is used to solve problems?
  • Video class: Lecture #6: Worldbuilding Part Two — Brandon Sanderson on Writing Science Fiction and Fantasy 1h13m
  • Exercise: Which skill is described as the single most important genre-specific skill for science fiction and fantasy writers?
  • Video class: Lecture #7: Short Stories — With Special Guest Instructor Mary Robinette Kowal 44m
  • Exercise: In the MICE Quotient, what defines where a milieu story begins and ends?
  • Video class: Lecture #8: Worldbuilding Q 1h14m
  • Exercise: When internal logic and external logic conflict in a story’s worldbuilding or magic system, which should usually take priority?
  • Video class: Lecture #9: Characters — Brandon Sanderson on Writing Science Fiction and Fantasy 1h12m
  • Exercise: Which set best matches the three main tools for making readers care about a character?
  • Video class: Lecture #10: Characters Part 2 — Brandon Sanderson on Writing Science Fiction and Fantasy 1h11m
  • Exercise: Which set of four elements are described as the core types of writing that make up stories?
  • Video class: Lecture #11: Character Q 1h12m
  • Exercise: When trying to build reader sympathy for a character with a tragic past, which approach is recommended?
  • Video class: Lecture #12: Publishing Part One — Brandon Sanderson on Writing Science Fiction and Fantasy 1h07m
  • Exercise: In traditional publishing, what is a primary advantage of having a literary agent?
  • Video class: Lecture #13: Publishing Part Two — Brandon Sanderson on Writing Science Fiction and Fantasy 1h12m
  • Exercise: In indie publishing, what is presented as a major advantage compared to traditional publishing?

This free course includes:

14 hours and 47 minutes of online video course

Digital certificate of course completion (Free)

Exercises to train your knowledge

100% free, from content to certificate

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