Two Workspaces, Two Jobs
Ableton Live has two main workspaces for building music, and they’re designed for different phases of the same track:
- Session View: a grid for capturing ideas, trying combinations, and launching parts in real time (non-linear).
- Arrangement View: a timeline for building the song from left to right (linear).
You’ll often start in Session View to sketch and experiment, then record that performance into Arrangement View to turn it into a song structure.
What You’re Looking At: Tracks, Scenes, Clip Slots
- Tracks (vertical columns): each track holds one instrument or audio source (e.g., Drums, Bass, Chords).
- Clip Slots (grid cells): where you place a clip on a track for a specific scene row.
- Scenes (horizontal rows): a row of clips meant to play together as a section (e.g., Intro, Verse, Chorus). Launching a scene triggers all clips in that row.
Think of Session View as “section blocks” you can trigger in any order, and Arrangement View as the “final timeline” where those blocks become a fixed song.
Mini-Exercise: Build Intro / Verse / Chorus in Session View
This exercise creates three scenes (Intro, Verse, Chorus), launches them, records the performance into Arrangement View, then returns to Session View to refine clips.
Step 1: Create and Name Three Blank Scenes
- Go to Session View (press
Tabto toggle views). - In the Scene area (far right of the grid), create three scene rows (if you don’t already have empty rows available).
- Rename the scenes: Intro, Verse, Chorus. (Right-click a scene name area and choose rename, or click and type depending on your setup.)
Keep it simple: three scenes are enough to understand the workflow.
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Step 2: Set Up Three Tracks (Example)
Create or choose three tracks so the grid feels like a real song:
- Track 1: Drums
- Track 2: Bass
- Track 3: Chords/Keys
You don’t need a perfect sound here—the goal is understanding how Session View and Arrangement View interact.
Step 3: Populate Clip Slots (Minimal Clips)
Place something in each section so launching scenes makes an obvious change. For example:
| Scene | Drums | Bass | Chords |
|---|---|---|---|
| Intro | Kick only | (empty) | Pad chord |
| Verse | Full beat | Bass groove | Chord rhythm |
| Chorus | Full beat + open hats | Busier bass | Bigger chords |
It’s fine to leave some clip slots empty (like no bass in the Intro). Empty slots are part of arranging.
Step 4: Launch Clips vs Launch Scenes
- Click a clip’s play button to launch just that clip on that track.
- Click a scene launch button to trigger the whole row (Intro/Verse/Chorus) together.
Practice: launch Intro, then Verse, then Chorus. Notice how Session View lets you try different orders quickly (e.g., Intro → Chorus → Verse) without moving anything on a timeline.
Record Your Session Performance into Arrangement View
This is the key bridge: you can “perform” your structure in Session View and capture it as a linear song in Arrangement View.
Step 1: Arm What Needs Recording (If Applicable)
If you are recording new MIDI notes or audio into clips, you’ll use track arming. But for this exercise, you can record the launching of existing clips into Arrangement without recording new notes.
Step 2: Start Arrangement Recording While in Session View
- Stay in Session View.
- At the top transport, click the Arrangement Record button (the main record button).
- Now launch scenes in order: Intro for a few bars, then Verse, then Chorus.
What gets recorded: the clip launches and their timing are written onto the Arrangement timeline as clips placed on tracks.
Step 3: Switch to Arrangement View to See the Result
- Press
Tabto go to Arrangement View. - You should see your sections laid out left-to-right on the timeline, matching the order and duration you performed.
Now you’re in “song building mode”: you can trim, duplicate, move, and edit sections on a timeline.
Switch Back to Session View to Refine, Then Re-Commit
A common workflow is: sketch in Session → record to Arrangement → notice a weak part → go back to Session to improve the clips → record again or update the Arrangement.
Refine a Clip in Session View
- Press
Tabback to Session View. - Pick one clip to improve (e.g., Chorus chords). Edit its notes, length, or groove.
- Re-launch the updated clip to confirm it feels better with the other clips.
Then either record a new pass into Arrangement (overwriting/adding sections), or manually edit the Arrangement clips if you prefer timeline editing.
Beginner Pitfalls (and How to Fix Them Fast)
Pitfall 1: “It’s Playing, But Nothing Is Recording”
In Live, playing and recording are different states.
- If you only launch clips/scenes without enabling Arrangement Record, your performance won’t be captured to the timeline.
- If you want to record new MIDI/audio into a clip slot, you also need the correct track armed and to record into that clip slot.
Quick check: if your goal is “capture my Session performance into the song timeline,” make sure the main record button is on before launching scenes.
Pitfall 2: Confusing Global Stop vs Track Stop vs Clip Stop
Stopping behavior matters because it changes what keeps playing:
- Global Stop (top transport stop): stops everything.
- Track Stop (stop button on a track in Session): stops only that track’s currently playing clip(s).
- Clip Stop (stop square in a clip slot area, depending on layout): stops playback for that specific track/slot context.
Practical tip: if your Chorus drums keep going when you wanted silence for the Intro, you likely stopped the wrong thing. Use Track Stop on the drum track or launch an empty slot designed to create a break.
Pitfall 3: “My Arrangement Isn’t Playing—Session Clips Keep Taking Over”
Session clips can override what’s on the Arrangement timeline. If a Session clip is launched, that track will keep following Session playback until you tell it to return to Arrangement.
- Symptom: you press play in Arrangement, but you still hear the loop you launched earlier in Session.
- Cause: the track is still being driven by a Session clip launch.
Fix: use the Back to Arrangement control (the button that returns playback priority to the Arrangement). Once you click it, the timeline becomes the source again.
Pitfall 4: Recording Over the Wrong Place in Arrangement
If you record multiple passes from Session into Arrangement, you can accidentally layer or overwrite sections in ways you didn’t intend.
- Before recording, set the playhead where you want the recording to begin.
- Consider looping a region in Arrangement if you want to repeatedly capture takes of the same section.
Simple Rules: When to Stay in Session vs Commit to Arrangement
- Stay in Session View when you’re still choosing parts, testing combinations, improvising structure, or building variations (A/B versions of Verse, different drum patterns, alternate bass lines).
- Commit to Arrangement View when you’re ready to lock a timeline, make clear transitions, edit section lengths precisely, and do detailed song shaping (drops, fills, automation on a timeline, tightening the full structure).
- Go back to Session View when a section needs a better loop or variation—fix the clip at the source, then re-record or update the timeline.
- If you hear the “wrong” version, check whether Session is overriding Arrangement and use Back to Arrangement to restore timeline playback.