Putting It Together: Beginner Clarinet Pieces Using Tone, Fingerings, and Reading Skills

Capítulo 11

Estimated reading time: 6 minutes

+ Exercise

How This Chapter Works: Mini-Repertoire That Builds One Reading Skill at a Time

You already have a small set of familiar fingerings, a basic ability to read notes on the staff, and experience making a steady low-register sound. Now you will combine those skills into short pieces that feel like real music while staying within a limited note range and simple rhythms.

Each mini-piece below follows the same idea: keep the fingerings familiar and introduce one new reading element (a rest type or a rhythm pattern). Your job is to learn a repeatable practice routine that you can use on any new beginner piece.

The 4-Step Performance Routine (Use This Every Time)

  1. Identify notes: Say the note names out loud while pointing to them. Also notice repeated notes and stepwise motion (up/down by one note).

  2. Finger silently: Without blowing, place fingers for each note in time. Focus on full key coverage and relaxed motion.

  3. Clap and count: Clap the rhythm while counting steady beats. If there are rests, show them by keeping your hands still (silence is part of the rhythm).

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  4. Play: Keep the sound in the low register steady and even. Aim for smooth note changes and clean starts/ends.

Tempo rule: Start slow enough that you can do it correctly twice in a row. Then increase slightly.

Mini-Piece 1: “Steady Steps” (New Element: Quarter Rest)

Goal: Learn to read and perform a quarter rest (one beat of silence) without losing the beat.

Time signature: 4/4 (4 beats per measure; quarter note gets 1 beat).

Notes used: Use your familiar low-register notes from earlier chapters (keep the range narrow). If you prefer, write the note names above the staff the first day, then erase them later.

Rhythm Cell

Count: 1 2 3 4

  • Quarter notes: clap on each number.
  • Quarter rest: stay silent for that beat while continuing to count.

Music (Rhythm + Note Letters)

Play each letter as a quarter note unless marked R (rest).

4/4  | 1  2  3  4 | 1  2  3  4 | 1  2  3  4 | 1  2  3  4 |
     | E  D  C  D | E  R  E  R | D  D  E  R | C  R  C  R |

Step-by-Step Practice

  • Identify notes: Notice the repeated E’s and C’s and the stepwise motion E–D–C–D.
  • Finger silently: Keep fingers close to the keys during rests; don’t lift extra fingers.
  • Clap-count: Clap beats 1,2,3,4; on R, freeze hands but keep counting.
  • Play: On rests, keep the embouchure stable and the instrument position steady; don’t “reset.” Re-enter on the next beat with the same tone quality.

Mini-Piece 2: “Two-and-Two” (New Element: Half Note)

Goal: Hold a half note for 2 beats with steady tone and consistent air.

Time signature: 4/4.

Notes used: Same familiar notes as Mini-Piece 1.

Rhythm Focus

  • Half note = 2 beats (count 1-2 while holding).
  • Quarter note = 1 beat.

Music

4/4  | 1   2   3  4 | 1   2   3  4 | 1  2   3   4 | 1  2  3   4 |
     | E---    D  C | D---    E  R | C  D---    E | E  R  D---   |
     | (half) (q)(q)| (half) (q)(R)| (q)(half)(q)| (q)(R)(half) |

Step-by-Step Practice

  • Identify notes: Circle the half notes so you remember to sustain them.
  • Finger silently: Practice holding the fingering still for the full 2 beats (no “wiggling”).
  • Clap-count: Clap on beat 1 for the half note, then keep hands together (no second clap) while counting beat 2; resume clapping on beats 3 and 4.
  • Play: During half notes, aim for an even sound from start to end (no fading early). Keep the throat relaxed and the air moving steadily.

Mini-Piece 3: “Walking Pairs” (New Element: Eighth-Note Pairs)

Goal: Read and play two eighth notes in one beat (counted as 1-and), while keeping fingers coordinated and tone stable.

Time signature: 4/4.

Notes used: Same familiar notes; the challenge is rhythm coordination, not new fingerings.

Counting Method

Count each measure as: 1-and 2-and 3-and 4-and

  • Each eighth note lands on a number or an “and.”
  • Keep the beat steady; do not rush the “and.”

Music

4/4  | 1-and 2-and 3  4 | 1  2-and 3-and 4 | 1-and 2  3-and 4 | 1  2  3-and 4-and |
     | E  D   C  D   E  R | D  E   D  C   D | C  D   E  D   C | E  R   D  C   D  E |

Step-by-Step Practice

  • Identify notes: Mark where the eighth-note pairs occur (the 1-and style beats).
  • Finger silently: Move only the fingers that must change; keep unused fingers hovering close to the keys.
  • Clap-count: Clap on every number and every “and” for one full run. Then clap only the numbers while whispering the “and” to feel the beat underneath.
  • Play: Keep the air continuous through eighth notes; avoid “puffing” each note. Think of one smooth stream of air with quick, light finger changes.

Mini-Piece 4: “Breathing Spaces” (New Element: Half Rest)

Goal: Perform a half rest (2 beats of silence) and re-enter cleanly without tension.

Time signature: 4/4.

Notes used: Same familiar notes.

Rest Strategy

  • Half rest = silence for beats 1-2 (or 3-4, depending on placement).
  • Keep counting through the rest.
  • Use the rest to prepare: fingers ready, posture steady, calm inhale if needed.

Music

4/4  | 1   2   3  4 | 1  2   3   4 | 1   2   3  4 | 1  2  3  4 |
     | R---    E  D | C  D---    R | R---    D  C | E  D  C  R |
     | (half) (q)(q)| (q)(half)(R)| (half) (q)(q)| (q)(q)(q)(R)|

Step-by-Step Practice

  • Identify notes: Locate the half rests and decide whether you will breathe there (if needed).
  • Finger silently: During the rest, set up the next note’s fingering early (quietly), then hold still.
  • Clap-count: Count 1-2 silently during the half rest, then clap on beat 3 to practice the re-entry point.
  • Play: Re-enter with a controlled start: steady air first, then the note speaks cleanly. Avoid biting or squeezing to “force” the entrance.

Mini-Piece 5: “Mixed Meter Feel” (New Element: 3/4 Counting)

Goal: Adjust to 3/4 time (3 beats per measure) while keeping familiar notes and simple rhythms.

Time signature: 3/4.

Notes used: Same familiar notes.

Counting Method

Count each measure: 1 2 3

  • Feel beat 1 as the strongest beat.
  • Keep the tone consistent even as phrases feel shorter.

Music

3/4  | 1  2  3 | 1   2   3 | 1  2  3 | 1   2  3 | 1  2  3 | 1  2  3 |
     | E  D  C | D---   R  | E  E  D | C---  R  | D  C  D | E---  R |

Step-by-Step Practice

  • Identify notes: Mark the long notes (half notes) so you hold them for beats 1-2.
  • Finger silently: Practice the measure transitions (end of one bar into the next) so the beat 1 entrance is ready.
  • Clap-count: Clap only on 1 at first while counting 1 2 3 out loud; then clap all three beats.
  • Play: Keep the low-register tone steady; don’t let beat 3 get weak. Aim for smooth connections between measures.

Clean Run Checklist (Use Before You Record or Perform)

  • Stable embouchure: Same mouth position from first note to last; no extra pressure added on harder spots.
  • Consistent air: Even airflow through long notes and through eighth-note pairs; no stopping the air during rests (only stop the sound).
  • Accurate finger coverage: Fingers close to the keys, holes fully covered, minimal extra motion during changes and during rests.
  • Controlled starts and ends: Clear first note (prepared air), clean releases (no accidental extra sound), and steady timing into and out of rests.

Now answer the exercise about the content:

While practicing a beginner clarinet piece that includes rests, what should you do during a rest to keep the rhythm and tone quality consistent?

You are right! Congratulations, now go to the next page

You missed! Try again.

Rests are part of the rhythm. Keep counting through them, stay steady in embouchure and instrument position, and re-enter on the next beat with the same tone setup.

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