How This Chapter Works: Mini-Repertoire That Builds One Reading Skill at a Time
You already have a small set of familiar fingerings, a basic ability to read notes on the staff, and experience making a steady low-register sound. Now you will combine those skills into short pieces that feel like real music while staying within a limited note range and simple rhythms.
Each mini-piece below follows the same idea: keep the fingerings familiar and introduce one new reading element (a rest type or a rhythm pattern). Your job is to learn a repeatable practice routine that you can use on any new beginner piece.
The 4-Step Performance Routine (Use This Every Time)
Identify notes: Say the note names out loud while pointing to them. Also notice repeated notes and stepwise motion (up/down by one note).
Finger silently: Without blowing, place fingers for each note in time. Focus on full key coverage and relaxed motion.
Clap and count: Clap the rhythm while counting steady beats. If there are rests, show them by keeping your hands still (silence is part of the rhythm).
Continue in our app.- Listen to the audio with the screen off.
- Earn a certificate upon completion.
- Over 5000 courses for you to explore!
Download the app
Play: Keep the sound in the low register steady and even. Aim for smooth note changes and clean starts/ends.
Tempo rule: Start slow enough that you can do it correctly twice in a row. Then increase slightly.
Mini-Piece 1: “Steady Steps” (New Element: Quarter Rest)
Goal: Learn to read and perform a quarter rest (one beat of silence) without losing the beat.
Time signature: 4/4 (4 beats per measure; quarter note gets 1 beat).
Notes used: Use your familiar low-register notes from earlier chapters (keep the range narrow). If you prefer, write the note names above the staff the first day, then erase them later.
Rhythm Cell
Count: 1 2 3 4
- Quarter notes: clap on each number.
- Quarter rest: stay silent for that beat while continuing to count.
Music (Rhythm + Note Letters)
Play each letter as a quarter note unless marked R (rest).
4/4 | 1 2 3 4 | 1 2 3 4 | 1 2 3 4 | 1 2 3 4 |
| E D C D | E R E R | D D E R | C R C R |Step-by-Step Practice
- Identify notes: Notice the repeated E’s and C’s and the stepwise motion E–D–C–D.
- Finger silently: Keep fingers close to the keys during rests; don’t lift extra fingers.
- Clap-count: Clap beats 1,2,3,4; on
R, freeze hands but keep counting. - Play: On rests, keep the embouchure stable and the instrument position steady; don’t “reset.” Re-enter on the next beat with the same tone quality.
Mini-Piece 2: “Two-and-Two” (New Element: Half Note)
Goal: Hold a half note for 2 beats with steady tone and consistent air.
Time signature: 4/4.
Notes used: Same familiar notes as Mini-Piece 1.
Rhythm Focus
- Half note = 2 beats (count
1-2while holding). - Quarter note = 1 beat.
Music
4/4 | 1 2 3 4 | 1 2 3 4 | 1 2 3 4 | 1 2 3 4 |
| E--- D C | D--- E R | C D--- E | E R D--- |
| (half) (q)(q)| (half) (q)(R)| (q)(half)(q)| (q)(R)(half) |Step-by-Step Practice
- Identify notes: Circle the half notes so you remember to sustain them.
- Finger silently: Practice holding the fingering still for the full 2 beats (no “wiggling”).
- Clap-count: Clap on beat 1 for the half note, then keep hands together (no second clap) while counting beat 2; resume clapping on beats 3 and 4.
- Play: During half notes, aim for an even sound from start to end (no fading early). Keep the throat relaxed and the air moving steadily.
Mini-Piece 3: “Walking Pairs” (New Element: Eighth-Note Pairs)
Goal: Read and play two eighth notes in one beat (counted as 1-and), while keeping fingers coordinated and tone stable.
Time signature: 4/4.
Notes used: Same familiar notes; the challenge is rhythm coordination, not new fingerings.
Counting Method
Count each measure as: 1-and 2-and 3-and 4-and
- Each eighth note lands on a number or an “and.”
- Keep the beat steady; do not rush the “and.”
Music
4/4 | 1-and 2-and 3 4 | 1 2-and 3-and 4 | 1-and 2 3-and 4 | 1 2 3-and 4-and |
| E D C D E R | D E D C D | C D E D C | E R D C D E |Step-by-Step Practice
- Identify notes: Mark where the eighth-note pairs occur (the
1-andstyle beats). - Finger silently: Move only the fingers that must change; keep unused fingers hovering close to the keys.
- Clap-count: Clap on every number and every “and” for one full run. Then clap only the numbers while whispering the “and” to feel the beat underneath.
- Play: Keep the air continuous through eighth notes; avoid “puffing” each note. Think of one smooth stream of air with quick, light finger changes.
Mini-Piece 4: “Breathing Spaces” (New Element: Half Rest)
Goal: Perform a half rest (2 beats of silence) and re-enter cleanly without tension.
Time signature: 4/4.
Notes used: Same familiar notes.
Rest Strategy
- Half rest = silence for beats
1-2(or3-4, depending on placement). - Keep counting through the rest.
- Use the rest to prepare: fingers ready, posture steady, calm inhale if needed.
Music
4/4 | 1 2 3 4 | 1 2 3 4 | 1 2 3 4 | 1 2 3 4 |
| R--- E D | C D--- R | R--- D C | E D C R |
| (half) (q)(q)| (q)(half)(R)| (half) (q)(q)| (q)(q)(q)(R)|Step-by-Step Practice
- Identify notes: Locate the half rests and decide whether you will breathe there (if needed).
- Finger silently: During the rest, set up the next note’s fingering early (quietly), then hold still.
- Clap-count: Count
1-2silently during the half rest, then clap on beat 3 to practice the re-entry point. - Play: Re-enter with a controlled start: steady air first, then the note speaks cleanly. Avoid biting or squeezing to “force” the entrance.
Mini-Piece 5: “Mixed Meter Feel” (New Element: 3/4 Counting)
Goal: Adjust to 3/4 time (3 beats per measure) while keeping familiar notes and simple rhythms.
Time signature: 3/4.
Notes used: Same familiar notes.
Counting Method
Count each measure: 1 2 3
- Feel beat 1 as the strongest beat.
- Keep the tone consistent even as phrases feel shorter.
Music
3/4 | 1 2 3 | 1 2 3 | 1 2 3 | 1 2 3 | 1 2 3 | 1 2 3 |
| E D C | D--- R | E E D | C--- R | D C D | E--- R |Step-by-Step Practice
- Identify notes: Mark the long notes (half notes) so you hold them for beats
1-2. - Finger silently: Practice the measure transitions (end of one bar into the next) so the beat 1 entrance is ready.
- Clap-count: Clap only on
1at first while counting1 2 3out loud; then clap all three beats. - Play: Keep the low-register tone steady; don’t let beat 3 get weak. Aim for smooth connections between measures.
Clean Run Checklist (Use Before You Record or Perform)
- Stable embouchure: Same mouth position from first note to last; no extra pressure added on harder spots.
- Consistent air: Even airflow through long notes and through eighth-note pairs; no stopping the air during rests (only stop the sound).
- Accurate finger coverage: Fingers close to the keys, holes fully covered, minimal extra motion during changes and during rests.
- Controlled starts and ends: Clear first note (prepared air), clean releases (no accidental extra sound), and steady timing into and out of rests.