Export mindset: one timeline, multiple deliverables
Exporting is where you translate your edit into a file that plays reliably on a platform (YouTube, social apps) or in a client review tool. The goal is predictable playback, reasonable file size, and no surprises (wrong frame rate, clipped audio, missing captions). In Premiere Pro, most beginner-friendly exports use H.264 in an .mp4 container because it’s widely compatible and efficient.
Practical export decision tree (use this every time)
Step 1: What is the destination?
- YouTube (1080p or 4K): prioritize quality; larger files are acceptable.
- Instagram Reels / TikTok (vertical): prioritize correct aspect ratio and fast upload; keep bitrate reasonable.
- Client review MP4: prioritize compatibility and quick download/streaming; avoid exotic settings.
Step 2: Choose format and codec
- Format: H.264
- Output file: .mp4
- Why: plays on nearly all devices, uploads cleanly to major platforms, good quality-to-size ratio.
Step 3: Match resolution and frame rate (avoid accidental conversions)
- Rule: Export at the same frame rate as your sequence unless you have a specific reason to change it.
- Resolution: Match the intended platform and your sequence framing (e.g., 1920×1080 for standard HD, 3840×2160 for 4K, 1080×1920 for vertical).
- Why: Changing frame rate can introduce judder or duplicated frames; changing resolution can soften text/graphics and increase render time.
Step 4: Bitrate strategy (CBR vs VBR)
Bitrate controls quality and file size. Higher bitrate usually means better detail (especially in motion), but bigger files.
- VBR 1-pass: Faster export, good general choice for social and review links.
- VBR 2-pass: Better quality at a given file size (analyzes video twice), slower export; good for final YouTube uploads when time allows.
- CBR: Constant bitrate; predictable file size and sometimes preferred for strict delivery specs, but can waste bits on simple scenes and still struggle on complex scenes.
Beginner default: Use VBR 1-pass for speed, switch to VBR 2-pass when you want maximum quality efficiency.
Step 5: Audio settings (simple, reliable)
- Codec: AAC
- Sample rate: 48 kHz (standard for video)
- Channels: Stereo
- Bitrate: 320 kbps for high quality (or 192 kbps if you need smaller files)
Export workflow in Premiere Pro (step-by-step)
1) Open Export
- Select the sequence in the Timeline.
- Go to File > Export > Media (or use the Export workspace).
- Confirm your Source Range (Entire Sequence or In/Out).
2) Choose a starting preset, then verify key fields
Presets are starting points, not guarantees. Always verify: Frame Rate, Frame Size, Bitrate, and Audio.
3) Set the output name and location (discipline matters)
Click the output name to set both filename and destination folder. Use a consistent structure so you can find versions later and avoid overwriting.
- Listen to the audio with the screen off.
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Exports/ProjectName/2026-01-21/YouTube/ProjectName_v03_YT_1080p.mp4Recommended naming pattern:
ProjectName(or client/job code)v##version number (v01, v02, v03…)- platform tag:
YT,IG,TT,Review - format tag:
1080p,4K,9x16 - optional: date stamp
YYYY-MM-DD
Platform-ready presets (recommended settings)
YouTube 1080p (HD)
| Setting | Recommendation |
|---|---|
| Format | H.264 (.mp4) |
| Frame Size | 1920×1080 |
| Frame Rate | Match sequence (e.g., 23.976/24/25/29.97/30) |
| Field Order | Progressive |
| Profile / Level | High / Auto (or 4.2) |
| Bitrate | VBR 2-pass; Target 12–16 Mbps, Max 20–24 Mbps |
| Key Frame Distance | Default is usually fine; if you set it, try ~2 seconds |
| Audio | AAC, 48 kHz, Stereo, 320 kbps |
Tip: If your footage has lots of motion (sports, handheld, fast cuts), lean toward the higher end of the target/max ranges.
YouTube 4K (UHD)
| Setting | Recommendation |
|---|---|
| Format | H.264 (.mp4) |
| Frame Size | 3840×2160 |
| Frame Rate | Match sequence |
| Bitrate | VBR 2-pass; Target 35–45 Mbps, Max 55–65 Mbps |
| Audio | AAC, 48 kHz, Stereo, 320 kbps |
Practical note: 4K exports are heavy. If upload speed is limited, you can reduce target bitrate slightly, but check fine detail (hair, foliage, texture) for blockiness.
Instagram Reels / TikTok (Vertical 9:16)
Vertical delivery is mostly about correct framing and keeping the file efficient. If your main edit is horizontal, you’ll typically create a vertical version and export it separately.
| Setting | Recommendation |
|---|---|
| Format | H.264 (.mp4) |
| Frame Size | 1080×1920 (9:16) |
| Frame Rate | Match sequence (often 29.97/30 for social, but don’t change unless needed) |
| Bitrate | VBR 1-pass; Target 8–12 Mbps, Max 12–16 Mbps |
| Audio | AAC, 48 kHz, Stereo, 256–320 kbps |
Tip: If the platform re-compresses aggressively, starting with a clean 1080×1920 file at a sensible bitrate helps preserve detail without creating a massive upload.
Client review MP4 (fast to download, easy to play)
| Setting | Recommendation |
|---|---|
| Format | H.264 (.mp4) |
| Frame Size | Match sequence (often 1920×1080) |
| Frame Rate | Match sequence |
| Bitrate | VBR 1-pass; Target 6–10 Mbps, Max 10–14 Mbps |
| Audio | AAC, 48 kHz, Stereo, 192–320 kbps |
Why these numbers: They keep files small enough for quick review while still looking professional on a laptop or tablet.
Quality-control checklist before you send or upload
1) Playback check for dropped frames and glitches
- After export, play the MP4 in a standard player (not only inside Premiere Pro).
- Scrub through: first 10 seconds, a fast-motion section, and the final 10 seconds.
- Look for: stutters, frozen frames, unexpected black frames, or out-of-sync audio.
2) Audio peaks and loudness sanity check
- Listen on headphones and phone speakers if possible.
- Watch for obvious clipping (harsh distortion) on loud moments.
- Quick practical target: keep dialogue comfortably audible without music overpowering; if you see frequent peaks hitting 0 dB, lower the mix and re-export.
3) Caption delivery verification (burn-in vs sidecar)
Different destinations expect captions differently. Decide what you’re delivering:
- Burned-in captions (visible in the video): safest for social where you want guaranteed visibility.
- Sidecar caption file (e.g., .srt): common for YouTube and some review workflows.
QC step: If delivering an .srt, open it in a text editor to confirm it’s not empty and that timestamps look reasonable (increasing timecode, no huge gaps unless intended). If burned-in, visually confirm captions are inside safe areas and not cut off in vertical crops.
4) Confirm the export matches the sequence (no accidental changes)
- Check the exported file properties: resolution, frame rate, duration.
- Confirm the file name includes the correct version and platform tag.
- Confirm it landed in the correct export folder (avoid “Desktop_final_FINAL.mp4”).
Common export mistakes (and quick fixes)
- File looks blurry: Verify you exported at the intended resolution; increase bitrate; ensure you didn’t accidentally export a proxy or low-res sequence.
- Motion looks choppy: You likely changed frame rate on export; re-export matching the sequence frame rate.
- Banding in gradients: Increase bitrate; avoid overly low bitrates on smooth backgrounds; consider a slightly higher target/max.
- Audio too quiet on phones: Raise dialogue/music balance in the mix and re-export; avoid peaks slamming into 0 dB while still increasing overall loudness.
Final project: export two platform-specific versions and verify on a device
Goal
Export the same edit as (1) a YouTube version and (2) a vertical social version, then verify playback on a sample device.
Deliverables
- Export A:
ProjectName_v##_YT_1080p.mp4(or 4K if your sequence is UHD) - Export B:
ProjectName_v##_TT_9x16_1080x1920.mp4(or IG tag)
Steps
- Export A (YouTube): H.264, 1920×1080 (or 3840×2160), match frame rate, VBR 2-pass, set target/max bitrate from the table, AAC 48 kHz.
- Export B (Vertical): H.264, 1080×1920, match frame rate, VBR 1-pass, target/max bitrate from the table, AAC 48 kHz.
- Folder discipline: Save each into its own folder:
Exports/.../YouTube/andExports/.../Social_Vertical/. - QC on computer: Watch each file start-to-finish or at least spot-check key sections; confirm no dropped frames and audio is clean.
- QC on a sample device: Transfer both files to a phone (AirDrop, USB, cloud link) and play them in the phone’s default player. Confirm: vertical version fills the screen correctly, text/captions aren’t cut off, and audio is intelligible on phone speakers.