Capstone Overview: Your 60–90 Second Finish
This capstone is a guided, start-to-finish build that combines everything you already know into one repeatable workflow. You will create a 60–90 second video with:
- Consistent color across shots (no obvious exposure/white balance jumps)
- Readable titles (safe margins, sufficient contrast, consistent timing)
- Balanced audio (dialogue intelligible, music supportive, no clipping)
- Two exports: a high-quality master and a lightweight review file
What you need (assets)
- 6–12 short clips (mix of A-roll and B-roll)
- Optional: 1 music track, 1–3 sound effects
- Optional: 1 logo (PNG with transparency)
- A simple script or outline (3 beats: hook → body → close)
Technical targets (use these as your acceptance criteria)
| Area | Target |
|---|---|
| Duration | 60–90 seconds |
| Timeline | 1920×1080, 23.976/24/25/30 fps (match your footage), Rec.709 Gamma 2.4 |
| Titles | Within title safe, consistent font/size, readable over video |
| Color | Skin tones natural, blacks not crushed, highlights not clipped, shots match |
| Audio | Dialogue around −16 to −14 LUFS integrated (web), peaks below −1 dBTP, music ducked under dialogue |
| Exports | Master: high quality; Review: smaller file, easy playback |
Milestone 1 — Project Setup (Keep It Simple, Keep It Consistent)
You already know how to create projects and set timeline settings. In this capstone, the goal is consistency: pick one format and stick to it so you don’t fight mismatched frame rates, scaling, or color management mid-edit.
Milestone actions
- Create a new project named with a clear pattern, e.g.
Capstone_YourName_v01. - Create one timeline for the final edit (avoid multiple timelines unless you truly need them).
- Confirm timeline resolution and frame rate match your primary camera footage.
- Confirm monitoring is Rec.709 (or your course’s standard) so what you see is predictable.
Checkpoint — Project Setup (Pass Criteria)
- Project opens with a single main timeline.
- Timeline settings match the majority of your footage (no unexpected speed changes).
- You can play a clip in the timeline without dropped frames (or you’ve enabled optimized media/proxies if needed).
Milestone 2 — Organize Media for Speed (Not Perfection)
Since media organization is already covered, here you focus on a capstone-ready structure: just enough bins and naming to prevent mistakes during finishing (titles, color, audio, exports).
Milestone actions
- Create bins:
01_A-Roll,02_B-Roll,03_Audio,04_Music,05_GFX,06_Exports. - Mark 6–12 selects (favorites) you’re confident you’ll use.
- Identify your “hero” A-roll line(s): 1–3 sentences that define the story.
Checkpoint — Media Organization (Pass Criteria)
- All assets are in the right bins and play correctly.
- You have at least 6 usable clips selected and one music option ready.
- You can locate any asset in under 10 seconds.
Milestone 3 — Rough Cut (Story First, Polish Later)
Rough cut means: assemble the story in order, hit your target duration, and ensure the viewer understands the message. Do not chase perfect trims yet; you’re building a complete watchable version.
Milestone actions
- Place A-roll in a clean story order (hook → body → close).
- Insert B-roll to cover jump cuts and add visual clarity.
- Keep transitions minimal; prioritize clarity and pacing.
- Get the timeline to 60–90 seconds even if it’s rough.
Practical pacing guide (quick heuristic)
- If it feels slow: shorten pauses, cut repeated ideas, add a cutaway.
- If it feels rushed: remove one idea, add a breath, or use fewer shots per sentence.
Checkpoint — Edit Page (Rough Cut Pass Criteria)
- Timeline plays start-to-finish with no missing media.
- Duration is between 60 and 90 seconds.
- Story is understandable without any titles or color work.
Milestone 4 — Refine Trims and Lock Picture (Make It Feel Intentional)
Now you turn “watchable” into “tight.” This is where you commit to timing so titles, color, and audio don’t keep shifting.
- Listen to the audio with the screen off.
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Milestone actions
- Refine trims on dialogue for natural rhythm (remove dead air, keep intentional pauses).
- Check cut points on motion (cut on action where possible).
- Stabilize pacing: avoid rapid random cuts unless stylistic.
- Do a full-screen playback review and note fixes in a short list (3–10 items).
- When satisfied, treat the edit as picture lock (no more structural changes unless critical).
Picture lock checklist
- No placeholder shots remain.
- B-roll covers the most distracting jump cuts.
- All clips are intentional; nothing is “just filler.”
Checkpoint — Edit Page (Refinement Pass Criteria)
- You can watch without wanting to change shot order.
- No accidental flash frames, gaps, or unintended black frames.
- You have a short, actionable notes list and you’ve completed it.
Milestone 5 — Add Titles (Fusion) That Support the Story
You’ve already learned how to build titles in Fusion. In the capstone, focus on consistency and readability: one style, used with purpose.
Milestone actions
- Add 1 opening title (project/topic) and 1 lower third (speaker/name or key point).
- Keep typography consistent: one font family, consistent sizes, consistent alignment.
- Ensure titles sit inside safe margins and remain readable over bright/dark footage.
- Time titles to appear after the viewer has visual context (often 6–12 frames after a cut).
Practical title timing example
- Opening title: 2.0–3.5 seconds.
- Lower third: 3.0–5.0 seconds, then fade/animate out cleanly.
Checkpoint — Fusion (Pass Criteria)
- Titles are readable at 100% viewer size (not just zoomed in).
- No title overlaps critical on-screen content (faces, key objects).
- All title animations are smooth and do not distract from dialogue.
Milestone 6 — Basic Color Correction and Shot Matching (Color Page)
Color work in this capstone is about consistency, not heavy stylization. Your viewer should not notice color changes between angles; they should notice the story.
Milestone actions
- Pick one representative “best” shot as your reference (good exposure, pleasing skin tones).
- Balance each shot to neutral: exposure, contrast, and white balance aligned to the reference.
- Use scopes to confirm you’re not clipping highlights or crushing shadows.
- Do a quick shot-to-shot pass: toggle between adjacent clips and correct obvious jumps.
- If you apply a simple look, apply it gently and consistently across the timeline.
Shot matching micro-workflow (repeat per clip)
- Match exposure (lift/gamma/gain or primary wheels).
- Match white balance (temperature/tint or offset).
- Match saturation (avoid one shot looking “gray” or “neon”).
- Re-check scopes and compare to reference.
Checkpoint — Color (Pass Criteria)
- No shot looks noticeably warmer/cooler than the next unless motivated.
- Skin tones look natural across the sequence.
- Highlights are controlled (no harsh clipping) and shadows retain detail.
Milestone 7 — Clean and Balance Audio (Fairlight)
Audio finishing is where beginner projects often fall apart. Your goal: clean dialogue, controlled dynamics, and music that supports without competing.
Milestone actions
- Identify your primary audio: dialogue/voiceover should lead the mix.
- Clean obvious issues: remove hums, reduce noise if needed, and cut unwanted bumps/clicks.
- Balance levels: dialogue consistent clip-to-clip; music lowered under speech.
- Add gentle dynamics control if needed (light compression) and prevent clipping (limiter on the bus if appropriate).
- Do a “small speaker test”: play back quietly; dialogue should remain intelligible.
Practical mixing targets (web-friendly)
- Dialogue: consistent perceived loudness; avoid big jumps between sentences.
- True peak: keep below −1 dBTP.
- Integrated loudness: aim around −16 to −14 LUFS for general web delivery (adjust to your platform needs).
Checkpoint — Fairlight (Pass Criteria)
- Dialogue is intelligible without straining, even at low volume.
- No audible clipping or harsh distortion on loud words.
- Music never masks key words; transitions between sections feel smooth.
Milestone 8 — Deliver Two Export Versions (Master + Review)
You already know delivery settings. Here you’ll produce two purposeful outputs: a high-quality master for archiving/future edits, and a smaller review file for sharing.
Export version A: High-quality master
- Use a high-quality codec suitable for mastering (your course standard).
- Match timeline resolution and frame rate.
- Audio: high quality, consistent sample rate, peaks controlled.
- Name example:
Capstone_YourName_MASTER_v01
Export version B: Lightweight review file
- Use an efficient codec for easy playback/streaming (your course standard).
- Consider a lower bitrate while keeping text readable and motion clean.
- Name example:
Capstone_YourName_REVIEW_v01
Quality control checklist before you render
- Watch full timeline once: check titles, color consistency, and audio balance.
- Confirm no offline media, missing fonts, or muted tracks.
- Confirm in/out range is correct (entire timeline or intended range).
Checkpoint — Deliver (Pass Criteria)
- You exported two files: MASTER and REVIEW, both play correctly.
- Video: correct resolution/frame rate; no unexpected letterboxing/cropping.
- Audio: present on export, balanced, no clipping, consistent loudness.
Final Deliverable Validation (Use This as Your Grading Rubric)
| Category | Pass standard | How to verify |
|---|---|---|
| Duration & pacing | 60–90 seconds, no dead sections | Play once without stopping; note any “drag” moments |
| Story clarity | Viewer understands the point without explanation | Have someone watch once; ask them to summarize in one sentence |
| Titles | Readable, consistent style, safe margins | Check at 100% viewer size; scrub over bright/dark shots |
| Color consistency | Shots match; no distracting shifts | Toggle between adjacent clips; check scopes for extremes |
| Audio mix | Dialogue leads; music supports; peaks under −1 dBTP | Listen on headphones + small speakers; check meters |
| Exports | Master + Review, correct settings | Play both files end-to-end outside Resolve |