Planning and Packing for Travel Photography Without Overpacking

Capítulo 2

Estimated reading time: 9 minutes

+ Exercise

A repeatable workflow: plan the day, then pack for that plan

Overpacking usually happens when you pack for every possible photo you might take instead of the photos you’re most likely to make today. A simple workflow prevents that: (1) research before the trip, (2) build a flexible daily plan around light and access, (3) pack a scenario-based kit that matches conditions, and (4) protect your settings, files, and stamina so you can keep shooting well.

Pre-trip research (fast, practical, and reusable)

1) Map-based location shortlisting

Create a short list of “anchors” (places you’ll definitely pass) and “options” (nearby backups). Keep it small: 3–5 anchors per day is plenty.

  • Use maps to find: viewpoints, bridges, markets, alleys, waterfronts, parks, transit hubs, rooftops (if public), and museums/interiors for midday.
  • Check walking time: avoid plans that require constant cross-city sprints.
  • Pin backups: one indoor option and one sheltered outdoor option per day.

2) Light research: sunrise/sunset + direction

Write down sunrise, sunset, and the golden hour windows. Then note where light will come from at your key locations (e.g., “river walk faces west—best at sunset”). This helps you avoid carrying lenses “just in case” because you’ll know when and where you’ll actually use them.

  • Capture these times: sunrise, sunset, civil twilight start/end.
  • Note direction: east-facing streets for morning, west-facing for evening.
  • Weather check: look for cloud cover, wind, and rain probability; plan a rain-friendly route if needed.

3) Local rules and access

Rules affect what you can bring and what you can do. Knowing them early prevents packing items you can’t use.

  • Interiors: flash restrictions, tripod bans, bag size limits, ticketed time slots.
  • Public spaces: permits for tripods, drones, or commercial-looking setups.
  • Transit/security: museum security, stadium/event policies, airport carry-on limits.

Pre-trip research checklist (copy/paste)

  • 3–5 anchor locations pinned per day
  • 1 indoor backup + 1 sheltered outdoor backup pinned per day
  • Sunrise/sunset + twilight times saved
  • Notes on light direction for 2–3 key spots
  • Access notes: opening hours, reservations, closures
  • Rules: flash/tripod/drone/bag limits
  • Weather pattern: typical rain/wind/temperature swings

Daily plan template (built around light and energy)

This template keeps your day realistic and your bag light. You’re matching locations to the kind of light they look best in, and matching your energy to the hardest shooting windows.

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Daily plan template

Time blockGoalBest subjectsNotes
Morning golden hourGet your “must-have” framesLandmarks, viewpoints, quiet streets, portraits with soft lightArrive early; keep kit minimal for speed
Mid-morningMove + collect detailsCafés, markets, textures, signage, small scenesUse shade; look for reflected light
Midday (harsh light)Switch to interiors/shadeMuseums, churches, covered arcades, narrow alleysPlan for rules; stabilize with walls/rails
AfternoonScouting + restTest angles, find leading lines, plan sunset positionHydrate; charge phone/camera if possible
Evening golden hourSecond “must-have” windowWaterfronts, skyline, street scenes with warm lightCommit to one area; don’t bounce between spots
Night streetsAtmosphere + motionNeon, traffic trails, night markets, candid streetKeep gear secure; pack for low light

Build a flexible shot list (not a rigid checklist)

A good shot list is a set of prompts that adapts to what you find. Keep it to 8–12 items so it’s actionable.

  • 2 establishing shots: wide views that show where you are (morning + evening).
  • 2 “human scale” frames: people in place (market, café, transit).
  • 2 detail shots: textures, food, hands at work, signage.
  • 2 motion/energy shots: bikes, traffic, crowds, waves, wind.
  • 1 interior/quiet moment: museum, temple, library, shaded courtyard.
  • 1 wildcard: “something unexpected” you’ll recognize only on location.

Example flexible shot list (city day):

  • Sunrise: skyline from a bridge
  • Street: commuter flow at a crosswalk
  • Market: vendor hands + colorful produce
  • Café: window light portrait or still life
  • Interior: architectural symmetry
  • Evening: warm light on a landmark façade
  • Night: reflections on wet pavement (or neon)

Step-by-step: planning each day in 15 minutes

  1. Check weather + wind + rain timing. Decide: “mostly outdoor” or “mixed/indoor-heavy.”
  2. Pick one sunrise spot and one sunset spot. Choose places you can reach reliably.
  3. Choose one midday interior/shade zone. Put it near lunch to reduce travel.
  4. Write 8–12 shot prompts. Include 1–2 backups that fit the weather.
  5. Pack for the plan (not for everything). Use the scenario lists below.
  6. Set your camera defaults + backups. (See settings checklist.)
  7. Confirm data plan. Cards formatted, SSD ready, power plan set.

Packing scenarios: pack for conditions, not anxiety

Use these as “modules.” Start with a base kit, then add only what the day requires.

Base kit (most days)

  • Camera body
  • 1–2 lenses that cover your day’s subjects (avoid duplicates in focal length)
  • Battery set for the day
  • 2+ memory cards (so you can rotate if one fails)
  • Lens cloth + small blower
  • Phone + charging cable
  • Small, comfortable bag that doesn’t invite overfilling

Scenario A: City day (walking, interiors, street)

Goal: stay mobile, blend in, handle quick changes from bright streets to dim interiors.

  • Lenses: one general-purpose lens + one low-light-friendly option (or a compact second lens).
  • Optional: small on-camera flash only if allowed and you truly plan to use it (many interiors won’t).
  • Leave behind: heavy tripod unless you have a specific night plan and a place where it’s permitted.
  • Extra: microfiber cloth (city smudges happen), small hand sanitizer (keeps gear cleaner).

Practical example: If your plan includes museums at midday and street at night, prioritize a lens that performs well in low light and keep the second lens compact. Skip specialty lenses unless your shot list demands them.

Scenario B: Nature hike (distance, weather swings, weight matters)

Goal: protect stamina and stability; prioritize one strong focal range and comfort.

  • Lenses: choose one main lens that matches the hike’s subjects (landscapes vs. wildlife). If unsure, pick the one that best fits your shot list’s “must-have.”
  • Support: consider a lightweight support option only if you’ll use it (e.g., compact tripod or trekking pole + stabilization technique).
  • Protection: rain cover or dry bag liner; dust protection if windy/sandy.
  • Leave behind: extra body “just in case” unless it’s a once-in-a-lifetime, remote, no-return scenario.

Practical example: For a viewpoint sunrise hike: pack one lens that can do wide scenes and moderate detail, plus warm layers and headlamp. Don’t bring three lenses if you’ll be shooting from one ridge for 45 minutes.

Scenario C: Rainy day (wet streets, low contrast, indoor pivots)

Goal: keep gear dry, keep hands functional, and plan for reflections and indoor alternatives.

  • Protection: dedicated rain cover (or simple plastic cover), small towel, zip bags for cards/batteries.
  • Lens choice: minimize lens changes; use one lens most of the day to reduce water/dust entering the camera.
  • Footing: shoes with grip; rain makes you slower—plan fewer locations.
  • Creative angle: reflections, umbrellas, window light, sheltered arcades.

Practical example: If rain is steady from 2–6 pm, schedule interiors then and shoot streets at dusk when rain eases. Pack one lens, rain cover, cloth, and a spare layer—skip the “extra options” that will just get wet.

Camera settings backup: protect your defaults with custom modes

When you’re tired or moving fast, you’ll forget a setting. Custom modes (or saved presets) act like a safety net: you can return to a known-good setup in one click.

Custom mode checklist (set before the trip)

  • Mode 1: Walkaround daylight (fast shutter, auto ISO range you trust, single-point AF or your preferred AF mode)
  • Mode 2: Low light / night streets (higher ISO range, slower minimum shutter as needed, stabilization on if available)
  • Mode 3: Motion (shutter priority or manual with fast shutter; continuous AF; burst)
  • Mode 4: Quiet interiors (silent shutter if appropriate, conservative ISO noise preference, exposure comp reminder)

Settings “reset” mini-checklist (run it when light changes)

  • ISO: where is it, and is auto ISO on/off as intended?
  • Shutter speed: safe for your focal length and subject motion?
  • Aperture: do you actually want shallow depth, or more context?
  • Exposure compensation: back to zero?
  • White balance: auto vs. fixed (especially indoors)?
  • Drive mode: single vs. burst?
  • Focus mode: single vs. continuous?
  • Stabilization: on/off as needed?

Data management essentials (so you don’t carry fear)

Many people overpack gear because they’re anxious about losing images. A simple data routine reduces that anxiety and keeps your kit lean.

What to carry

  • Extra memory cards: enough to avoid reusing a single card all trip
  • Portable SSD: fast, reliable, and small
  • Card reader: compatible with your cards and phone/laptop
  • Short cables: one primary + one backup if you’ve been burned before
  • Power plan: battery bank if you back up via phone/tablet

Daily data routine (10 minutes)

  1. Ingest: copy files from card to SSD (and to a second location if you have it).
  2. Verify: spot-check a few files open correctly.
  3. Organize: folder name like YYYY-MM-DD_Location.
  4. Protect: keep SSD separate from camera bag when possible (different pocket/day bag).
  5. Don’t format immediately: keep images on the card until you have at least one verified backup.

Data checklist (copy/paste)

  • Cards: enough capacity for the day + one spare
  • SSD + cable
  • Card reader
  • Battery bank (if needed for backups)
  • Folder naming rule decided
  • Verification habit: spot-check after copying

Comfort items that improve shooting stamina (and image quality)

Stamina is a photography tool. If you’re cold, dehydrated, or uncomfortable, you’ll rush, miss moments, and stop exploring early—then you’ll blame your gear.

Carry comfort, not clutter

  • Water: small bottle or refillable option
  • Layers: packable wind/rain layer; temperature swings are common around sunrise/sunset
  • Snacks: something that won’t crush or melt
  • Sun protection: hat/sunscreen for long midday walks
  • Foot care: blister prevention if you’re walking all day
  • Hands: thin gloves for cold mornings; keeps you shooting longer

“Pack light” decision guide (prevents gear overload)

Use this quick decision tree before you zip your bag. The goal is to remove items that don’t serve today’s plan.

Decision guide

  • Does this item appear in today’s shot list? If no, don’t pack it.
  • Is there a specific time/place you’ll use it? If you can’t name when and where, don’t pack it.
  • Does it duplicate another item’s role? If yes, pick the lighter/simpler option.
  • Will it slow you down enough to miss moments? If yes, remove it.
  • Is it restricted where you’re going? If yes (or uncertain), leave it.
  • Is the benefit worth the weight for the distance you’ll walk? If not, remove it.
  • Can you solve the problem with technique instead of gear? If yes, remove it.

One-minute packing rule

After packing, take out one item you feel “unsure” about. If you can’t justify it with a specific shot and time block, it stays out.

Now answer the exercise about the content:

Which approach best helps you avoid overpacking for a travel photography day?

You are right! Congratulations, now go to the next page

You missed! Try again.

Overpacking is reduced by planning the day (light, access, and realistic movement) and then packing only the gear that matches the day’s scenarios and shot prompts.

Next chapter

Camera Fundamentals for Travel: Exposure, Focus, and Motion in Real Situations

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